61 |
Is it thy will thy image should keep open |
My heavy eyelids to the weary night ? |
Dost thou desitre my slumbers should be
broken |
While shadows like to thee do mock my
sight ? |
Is it thy spirit that thou send’st from
thee |
So far from home into my deeds to pry, |
To find out shames and idle hours in me, |
The scope and tenor of thy jealousy ? |
O no ; thy love, though much, is not so
great. |
It is my love that keeps mine eye awake, |
Mine own true love that doth my rest
defeat, |
To play the watchman ever for thy sake. |
For thee watch I whilst thou
dost wake elsewhere, |
From me far off, with others
all too near.
|
62 |
Sin of self-love possesseth all mine eye, |
And all my soul, and all my every part ; |
And for this sin there is no remedy, |
It is so grounded inward in my heart. |
Methinks no face so gracious is as mine, |
No shape so true, no truth of such
account, |
And for myself mine own worth do define |
As I all other in all worths surmount. |
But when my glass shows me myself indeed, |
Beated and chapped with tanned antiquity, |
Mine own self-love quite contrary I read
; |
Self so self-loving were iniquity. |
’Tis thee, my self, that
for myself I praise, |
Painting my age with beauty
of thy days.
|
63 |
Against my love shall be as I am now, |
With time's injurious hand crushed and
o'erworn ; |
When hours have drained his blook and
filled his brow |
With lines and wrinkles ; when his
youthful morn |
Hath travelled on to age's steepy night, |
And all those beauties whereof now he's
king |
Are vanishing, or vanished out of sight, |
Stealing away the treasure of his spring
: |
For such a time do I now fortify |
Against confounding age's cruel knife, |
That he shall never cut from memory |
My sweet love's beauty, though my lover's
life. |
His beauty shall in these
black lines be seen, |
And they shall live, and he
in them still green.
|
64 |
When I have seen by time's fell hand
defaced |
The rich proud cost of outworn buried age
; |
When sometime-lofty towers I see down
razed, |
And brass eternal slave to mortal rage ; |
When I have seen the hungry ocean gain |
Advantage on the kingdom of the shore, |
And the firm soil win of the wat'ry main, |
Increasing store with loss and loss with
store ; |
When I have seen such interchange of
state, |
Or state itself confounded to decay, |
Ruin hath taught me thus to ruminate : |
That time will come and take my love
away. |
This thought is as a death,
which cannot choose |
But weep to have that which
it fears to lose.
|
65 |
Since brass, nor stone, nor earth, nor
boundless sea, |
But sad mortality o’ersways their
power, |
How with this rage shall beauty hold a
plea, |
Whose action is no stronger than a flower
? |
O how shall summer's honey breath hold
out |
Against the wrackful siege of battering
days |
When rocks impregnable are not so stout, |
Nor gates of steel so strong, but time
decays ? |
I fearful meditation ! Where, alack, |
Shall time's best jewel from time's chest
lie hid, |
Or what strong hand can hold his swift
foot back, |
Or who his spoil of beauty can forbid ? |
O none, unless this miracle
have might : |
That in black ink my love may still shine
bright.
|
66 |
Tired with all these, for restful death I
cry : |
As, to behold desert a beggar born, |
And needy nothing trimmed in jollity, |
And purest faith unhappily forsworn, |
And gilded honour shamefully misplaced, |
And maiden virtue rudely strumpeted, |
And right perfection wrongfully
disgraced, |
And strength by limping sway disablèd, |
And art made tongue-tied by authority, |
And folly, doctor-like, controlling
skill, |
And simple truth miscalled simplicity, |
And captive good attending captain ill. |
Tired with all these, from
these would I be gone, |
Save that to die I leave my
love alone.
|
67 |
Ah, wherefore with infection should he
live |
And with his presence grace impiety, |
That sin by him advantage should achieve |
And lace itself with his society ? |
Why should false painting imitate his
cheek, |
And steal dead seeming of his living hue
? |
Why should poor beauty indirectly seek |
Roses of shadow, since his rose is true ? |
Why should he live now nature bankrupt
is, |
Beggared of blood to blush through lively
veins, |
For she hath no exchequer now but his, |
And proud of many, lives upon his gains ? |
O, him she stores to show
what wealth she had |
In days long since, before
these last so bad.
|
68 |
Thus is his cheek the map of days
outworn, |
When beauty lived and died as flowers do
now, |
Before these bastard signs of fair were
borne |
Or durst inhabit on a living brow ; |
Before the golden tresses of the dead, |
The right of sepulchres, were shown away |
To live a second life on second head ; |
Ere beauty's dead fleece made another
gay. |
In him those holy antique hours are seen |
Without all ornament, itself and true, |
Making no summer of another's green, |
Robbing no old to dress his beauty new ; |
And him as for a map doth
nature store, |
To show false art what
beauty was of yore.
|
69 |
Those parts of thee that the world's eye
doth view |
Want nothing that the thought of hearts
can mend. |
All tongues, the voice of souls, give
thee that due, |
Utt'ring bare truth even so as foes
commend. |
Thy outward thus with outward praise is
crowned, |
But those same tongues that give thee so
thine own |
In other accents do this praise confound |
By seeing farther than the eye hath
shown. |
They look into the beauty of thy mind, |
And that in guess they measure by thy
deeds. |
Then, churls, their thoughts - although
their eyes were kind - |
To thy fair flower add the rank smell of
weeds. |
But why thy odour matcheth
not thy show, |
The soil is this : that thou
dost common grow.
|
70 |
That thou are blamed shall not be thy
defect, |
For slander's mark was ever yet the fair. |
The ornament of beauty is suspect, |
A crow that flies in heaven's sweetest
air. |
So thou be good, slander doth but approve |
Thy worth the greater, being wooed of
time ; |
For canker vice the sweetest buds doth
love, |
And thou present'st a pure unstainèd
prime. |
Thou hast passed by the ambush of young
days |
Either not assailed, or victor being
charged ; |
Yet this thy praise cannot be so thy
praise |
To tie up envy, evermore enlarged. |
If some suspect of ill
masked not thy show, |
Then thou alone kingdoms of
hearts shouldst owe.
|
William
Shakespeare | Classic
Poems |
|
Ariel's Songs |